Examples 1a and 1b are from “Bruce Lee.” Ex. 1a shows the opening melody, first heard 0:18 into the track. Note the phrase repetition, colored by vocal-like phrasings and subtle note changes, as well as the cool double-thumbed run at the end of bar 3. In Ex. 1b, the tune’s main melody (at 0:37), Marcus uses the same formula—most effectively in the third ending, which cleverly alters some pitches found in the first-ending melody
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http://www.bassplayer.com/story.asp?sectioncode=15&storycode=7636 Merci
www.bassplayer.com ! y'a plein de plans sur le site si on prend la peine de chercher un peu !
Bon allez amuse toi bien
PS : j'ai vu Marcus vendredi soir à Toulouse, grand moment !
